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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Self portrait, c. 1747-1749 Sir Joshua Reynolds

Self portrait

Sir Joshua Reynolds
Image
Sir Joseph Banks, Bt, 1771-1773 Sir Joshua Reynolds

Sir Joseph Banks, Bt

Sir Joshua Reynolds
Image
Henry Reynolds
Henry Reynolds
Henry Reynolds

Henry Reynolds, 2012

Dave Tacon
Portrait, type C photograph on paper

Collection: National Portrait Gallery
Purchased 2012

image not online

H.B.G Larkin, 1928

L E. Reynolds
Portrait, pen and ink on paper

Collection: National Portrait Gallery
Purchased 2012

Joseph Banks Esq
Joseph Banks Esq
Joseph Banks Esq

Joseph Banks Esq, 1774

William Dickinson after Sir Joshua Reynolds
Portrait, mezzotint on paper

Purchased 2008

Portrait of Dr John Hawkesworth
Portrait of Dr John Hawkesworth
Portrait of Dr John Hawkesworth

Portrait of Dr John Hawkesworth, c. 1770

an unknown artist after Sir Joshua Reynolds
Portrait, oil on canvas

Collection: National Portrait Gallery
Purchased with funds provided by the Liangis family 2018

Robert Henderson Croll
Robert Henderson Croll
Robert Henderson Croll

Robert Henderson Croll, 1927

Frederick George Reynolds
Portrait, oil on canvas on board

Gift of Grietje Croll in memory of her late husband Robert Devereaux Croll and with the endorsement of his daughter Helen Croll 2013. Donated through the Australian Government's Cultural Gifts Program.

John Hawkesworth LLD
John Hawkesworth LLD
John Hawkesworth LLD

John Hawkesworth LLD, c. 1850 (originally 1776)

James Watson after Sir Joshua Reynolds
Portrait, mezzotint on paper

Collection: National Portrait Gallery
Purchased 2015

The Barassi

The Barassi

Moustaches

Otherwise known as the ‘Pool Cleaner’ or the ‘Porn Star’ moustache.

Sarah Siddons (née Kemble), 1787 John Downman

Sarah Siddons (née Kemble)

John Downman
Image
Sir Joseph Banks
Sir Joseph Banks
Sir Joseph Banks

Sir Joseph Banks, c. 1788

John Raphael Smith after Sir Benjamin West
Portrait, mezzotint on paper

Purchased 2010

Portrait of Sir Joseph Banks, president of the Royal Society
Portrait of Sir Joseph Banks, president of the Royal Society
Portrait of Sir Joseph Banks, president of the Royal Society

Portrait of Sir Joseph Banks, president of the Royal Society, 1812

N Schiavonetti after Thomas Phillips
Portrait, line engraving on paper

Collection: National Portrait Gallery
Purchased 2010

Sir Joseph Banks
Sir Joseph Banks
Sir Joseph Banks

Sir Joseph Banks, 1802

William Ridley
Portrait, engraving on paper

Collection: National Portrait Gallery
Gift of Gina and Ted Gregg 2010

Arthur Phillip Esq., Captain General and Commander in Chief in & over the territory of New South Wales
Arthur Phillip Esq., Captain General and Commander in Chief in & over the territory of New South Wales
Arthur Phillip Esq., Captain General and Commander in Chief in & over the territory of New South Wales

Arthur Phillip Esq., Captain General and Commander in Chief in & over the territory of New South Wales, 1789

W Sherwin after Francis Wheatley
Portrait, engraving on paper

Collection: National Portrait Gallery
Purchased 2010

The great South Sea caterpillar transformed into a Bath Butterfly (Sir Joseph Banks)

The Bath Butterfly

About Face article

The caricaturist and engraver James Gillray's biting satires about Sir Joseph Banks. 

Bathing woman, Bridlington, c.1825 by John Dempsey

Allow me to introduce...

General content

These full-length figures in watercolour, gouache and pencil date mostly from the 1820s, and almost all come from the collection of the Tasmanian Museum and Art Gallery, Hobart.

Karl Robert, Count Nesselrode, 1818 by Sir Thomas Lawrence

The Lawrence lustre

Magazine article by Angus Trumble, 2019

Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.

Rosaleen Norton, Witch of Kings Cross

Rennie Ellis

Aussies All
Previous exhibition, 2006

Rennie Ellis: Aussies All is a celebration of the life and work of the late Australian photographer Rennie Ellis.

Sam and the Perfect World, 2005

The news from Washington

Magazine article by Lauretta Morton, 2006

Australia's former Cultural Attache to the USA, Ron Ramsey, describes the mood at the opening week of the revitalised American National Portrait Gallery.

Catholic clergymen from the Diocese of Adelaide
Catholic clergymen from the Diocese of Adelaide
Catholic clergymen from the Diocese of Adelaide

Catholic clergymen from the Diocese of Adelaide, c. 1862

Stephen Edward Nixon
Portrait, carte de visite photograph

Purchased 2018

Caroline Amelia Elizabeth
of Brunswick, 1804

Around the grounds

Magazine article by Dr Anne Sanders, 2010

Anne Sanders writes about the exhibitions Victoria & Albert: Art & Love on display at the Queen's Gallery, Buckingham Palace and the retrospective of Sir Thomas Lawrence at the National Portrait Gallery, London.

William Shakespeare, c. 1600-1610  associated with John Taylor

Take thy face hence

Magazine article by Joanna Gilmour, 2022

Joanna Gilmour travels through time to explore the National Portrait Gallery London’s masterpieces in Shakespeare to Winehouse.

Sir Joseph Banks

In a good paddock

Magazine article by Dr Sarah Engledow, 2011

Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.

Portrait of Captain James Cook RN

Capturing Cook

Magazine article by Dr Sarah Engledow, 2003

In focussing on the importance of gifts in the building of the collection, prominence must be given to the most spectacular of the National Portrait Gallery's acquisitions; the portrait of Captain James Cook RN by John Webber R.A.

A Family Being Served with Tea, ca. 1745 by an unknown artist

A reflection on conversation pieces

About Face article

There is in the collection of the Yale Center for British Art in New Haven, Connecticut, an English painting, datable on the basis of costume to about 1745, that has for many years exercised my imagination.

Sir Sidney Kidman

The fat of the land

Magazine article by Dr Sarah Engledow, 2009

Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’. 

Mary, Queen of Scots by unknown artist, National Portrait Gallery of London

Portrait dendrochronology

About Face article

Angus's latest Trumbology is accompanied by the following caveat: 'This one is reeeeeeally geeky.'

Portrait of a Pioneer , 1917 
Violet Teague

Off her own bat

Magazine article by Joanna Gilmour, 2022

Joanna Gilmour profiles Violet Teague, whose sophisticated works hid her originality and non-conformity in plain sight.

Kinky Night. Impressions Club, 1987

Aussies all

Magazine article by Simon Elliott, 2006

The exhibition Aussies all features the ecclectic portrait photography of Rennie Ellis which captures Australian life during the 70s and 80s.

Portrait of Captain James Cook RN

Thrown together

Magazine article by Dr Sarah Engledow, 2009

Shipmates for years, James Cook and Joseph Banks each kept a journal but neither man shed light on their relationship.

The National Portrait Gallery

In the galleries

Magazine article by Dr Christopher Chapman, 2009

Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.

Sir Henry Unton

Icons and imagery

Magazine article by Alison Weir, 2011

Alison Weir explores the National Portrait Gallery, London and the BP Portrait Award to find what makes a good painted portrait - past and present.

Eileen Dunne in The Hospital for Sick Children, 1940

The incomparable Beaton

Magazine article by Dr Sarah Engledow, 2005

To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).

Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey

Unknown drawer

Magazine article by Dr David Hansen, 2017

Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.

Omai, Sir Joseph Banks and Daniel Solander, 1775-76

First encounters

Magazine article by Joanna Gilmour, 2011

Representations of the inhabitants of the new world expose the complexities of the colonisers' intentions.

Cachasunghia, Osage Warrior 1804–06 by Charles Balthazar Julien Févret de Saint-Mémin

Political profiles

Magazine article by Joanna Gilmour, 2016

Joanna Gilmour examines the prolific output of Charles Balthazar Julien Févret de Saint-Mémin, and discovers the risk of taking a portrait at face value.

Mr John Eason

The shipwright's arms

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour explores the life and times of convict-turned-artist William Buelow Gould.

Sunset in the drawing room at Chesney Wold by Hablot Knight Brown

Portraiture in a Bleak House

About Face article

It may seem an odd thing to do at one’s leisure on a beautiful tropical island, but I spent much of my midwinter break a few weeks ago re-reading Bleak House.

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency